Great Fiber Arts Classes with Expert Teachers Online
Find great Fiber Arts classes and instructors from John C Campbell Folk School, Maryland Sheep and Wool Festival, MAFA, and more at Lessonface.
Fiber Arts, Needlework, Embroidery & Thread Art...
Jen has been a fiber addict since the early 2000s. Her background in mathematics heavily influences her love of pattern, and she strives to translate such “heavy” topics into understandable projects for all of her students. While she teaches weaving, spinning, and dyeing, she discovered her true passion of Japanese Temari in 2011, and soon began traveling around the east coast
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Fiber Arts
Kelsey Wiskirchen is WARP’s Executive Director, a weaver, embroiderer, indigo dyer, and teacher. She has volunteered with weaving cooperatives in Bolivia and South Africa, and has worked in a number of community outreach programs focused on textiles with art educators, underserved youth, and the refugee community. She holds an MFA in Fiber Art from Arizona State University,
John C. Campbell Folk School, Fiber Arts, Knitting...
Tasha grew up in a family of makers and tinkerers and has been drawn to textiles of all kinds since she was very small. She is driven by the belief that making things by hand empowers people to live more joyfully and thoughtfully. In her classes, she works to build deep understanding through hands-on experimentation in a warm and inspiring environment.
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Fiber Arts
Henry has been building fiber art equipment for over 50 years and enjoys sharing his knowledge of both equipment and fiber. The family business he started in 1971 has introduced many innovations to the fiber arts community and their equipment is known for being not only thoughtfully engineered but visually pleasing and durable as well.
Fiber Arts, Felting
Early fascination with fabric and fashion came from my seamstress mother. You might say fiber art is bound into my DNA. My felting journey began with a study of skin. Skin as a protective covering, and as identifier, and how it can record history. A study of animal skin, and human skin; leading to hybrids. All the while, intrigued with the way wearable art transforms its wearer
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Fiber Arts
Beth Truesdale has been a fiber arts enthusiast for over 50 years! An active spinner and weaver since the mid 1980’s, Beth has been teaching others for nearly as long as she has been involved in fiber arts. With many successful new weavers to her credit, she enjoys sharing these skills with others as much as doing them herself.
John C. Campbell Folk School, Fiber Arts, Quilting
Annie is a fifth generation Californian, now located in Fort Worth, Texas. Her love of quilting went from hobby to profession in 1984. While working in Silicon Valley for twenty years, she honed her teaching skills on-the-job as a Customer Service Excellence instructor and teaching quilting classes at the local quilt shop. Annie has dedicated her career to full-time quilt
Fiber Arts
The Unapologetic Raw Fleece Enabler...Kimberly loves nothing more than to have her hands in a fresh raw fleece! Joy for her is washing that raw fleece, combing it and spinning it into a beautiful skein of yarn, usually very fine lace.
Fiber Arts
Diana has been involved in fiber arts for most of her life. She grew up in a family of knitters, crocheters, quilters, needle workers and sewers; and learned these crafts as a child. As an adult, she has expanded her knowledge and experience where she found her true love to be doing and teaching about textile arts through history.
Fiber Arts, Knitting, Crochet...
Greetings! My name is Chloe and I have been passionately knitting for most of my life. As a dedicated crafter, I have spent the last three years sharing my love for crafts by teaching others. I am proud to have transformed my hobby into a thriving business called Panda Land Crafts Pattern, which offers an array of classes on various topics, including Yarn dying, Introduction to
Fiber Arts
Shana Cohen is an architect with experience teaching technical and design studio courses in several higher education venues. She brings her experience of geometry and writing design syllabi to my pattern writing. Her size-inclusive patterns are mostly modular designs, and mostly garter stitch! In pattern writing, she makes legible directions that allow the knitter to customize
Fiber Arts
Rebecca Miller is a writer, editor, shepherdess and dog wrangler. She runs Blue Heron Farms, a commercial sheep flock of about 250 ewes, in the Appalachian foothills of eastern Ohio. Livestock guardian dogs have been a part of the family farm for more than 15 years, but she began working with them specifically in 2016. She now has a growing pack, mostly of Turkish origin. With
Fiber Arts
Peggy Doney has been fascinated with color since her first box of crayons. For many years, she has been discovering color recipes using triad, value, and gradient studies. If there is anything that Peggy enjoys as much as creating with fiber and color, it’s sharing that passion with others.
Fiber Arts
Curious exploration is the focus of Canadian knitwear designer and indie hand dyer, Kim McBrien Evans. A lifelong love of colour, texture, pattern, and shape prompted Kim to transition from working artist to textile maven. Her knitwear designs are known for their ability to turn an abstract idea into a wearable reality while simultaneously fitting and complimenting a wide range
Fiber Arts
During my federal career, I maintained a small business in weaving, dyeing and loom rehabilitation and presented guild programs and workshops in those subjects. Moving to Washington State and retirement offered me the opportunity to teach workshops for larger venues, in addition to local guilds. With the advent of Zoom in 2020, I have presented dozens of guild programs to three
Fiber Arts
I have been teaching wheat weaving and straw art for over 25 years.
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Fiber Arts
Jessica White is teaching the Block Prints in Brilliant Color with John C. Cambell Folk School at Lessonface.
Fiber Arts, Knitting
Heather Storta has been passionate about knitting from her first lesson in 2003. As a devoted lifelong learner, the minute she learned about TKGA and the Master Knitter program, she signed up. She became a TKGA-Certified Master Knitter in 2014 and was immediately asked to serve on the MHK Committee.
Fiber Arts
Nam Joti Kaur Khalsa, who learned this traditional American broom making technique from her teacher, Karen Hobbs. Karen Hobbs was a long time student of John Campbell Folk School who instilled her love of basket weaving and broom making in dozens of students across the country.
Fiber Arts
Roy grew up working in his family’s woodshop and has made fiber art equipment for most of his life. He frequently write for PLY Magazine and is the president of Lambtown Festival, the largest sheep and wool show in California. Along with his father Henry, he has introduced many innovations to the fiber arts community and their equipment is known for being not only thoughtfully
Fiber Arts
Carol James is a self-taught textile artist who has been exploring low-tech textile methods for 30 years. Focusing on sprang, she has examined items in collections across the US and Europe, and is known for her ability to replicate these historic textiles. She has also created modern garments deemed worthy of the Handweavers Guild of America fashion show.
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Fiber Arts
Janine Bajus is an internationally known Fair Isle knitter, designer, and teacher. Her goal is to provide the information that people need to knit their own stranded garments, whether traditional or wild, subdued or saturated, from a pattern or self-designed. Her hands-on workshops in custom color knitting are known for Janine’s unstoppable can-do attitude and step-by-step
Fiber Arts
Meagan Condon is a librarian and fiber artist with more than 10 years of teaching experience. Her areas of focus are microscopy of fiber, breed studies, plant fibers, natural dyes, digital community, and the science behind textiles. She has been published in PLY Magazine, Spin-Off Magazine, and The Wheel.
Fiber Arts
Youngmin Lee is a textile artist who uses bojagi tradition and techniques to create her work. Her interest in textiles led her to study Clothing and Textile in college and received an MFA in Fashion Design in South Korea. She has researched bojagi making and techniques and endeavors to apply her findings to both traditional and contemporary art. After moving to California in
John C. Campbell Folk School, Fiber Arts, Knitting...
Emolyn learned to knit at a young age without patterns which led her to also spin and dye yarn and wool. She has developed a line of handknits and yarns, and designs knitwear inspired by the yarn. She manages her business, The Roving Knitter, teaches people of all ages to knit and shows her work at craft shows and exhibits. See more of her work at therovingknitter.